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Tour History (.pdf)

Tour History (.xls)

High-Resolution Band 8" x 10" (.jpg)

High-Resolution Band Photo-Only (.jpg)

Promotional Poster 8.5" x 11" (.jpg)

Promotional Poster 11" x 17" (.jpg)

 

"This is world music that lives up to the name...Fusing classic Afrobeat, Latin funk, and acid jazz, the dozen-plus members of Berkeley's ALBINO! offer a torrent of hard-grooving jams designed to make Mojito-gulping weekenders shimmy right out of their low-rise jeans." -SF Weekly (see full text)

"ALBINO!'s hour proved to be the most crowded set at the entire (Joshua Tree Music) Festival, bringing in all sorts of festivarians looking to get the tribal beats in their soul and the jig back in their feet. They held down a funktified groove that was backed by the ultimate of beats, percussion and flying horns that shouted out at the crowd that had formed." -JamBase.com

"This Afrobeat band deserves the exclamation point following their name: everything that they do and play is exaggerated, energized, and enthusiastic, deserving of said punctuation mark... From dress to dance (and please, lets not forget the music) ALBINO! is on fire...one thing you can count on is a wildly fun night that you never want to end." -TheOwlMag.com

"ALBINO!'s propulsive grooves, jazzy horn arrangements, and socially relevant commentary turn the dancefloor into a forum of politifunkification" -East Bay Express

"All 11 ALBINOs stomped, stepped and swayed to the beat, making it hard for the audience to resist doing the same. Members of the horn section (three saxophones and a trumpet) were the stars, treating their instruments like dance partners and playing with such animation as to appear almost cartoonish." - The Durango Herald

ALBINO!: Best World Music Band

Fusing classic Afrobeat, Latin funk, and acid jazz, the dozen-plus members of Berkeley's Albino offer a torrent of hard-grooving jams designed to make Mojito-gulping weekenders shimmy right out of their low-rise jeans. The sound is aggressive and brassy, informed by world fusion artists like Fela Kuti and Zimbabwe's Thomas Mapfumo, and brought up to date with a mash of spacey global inflections (think of Herbie's Headhunters shanghaied in West Africa, and you'll be up to speed). The ass-inspiriting percussive engine comes from a rhythm section of local all-stars, including drummer Michael Pinkham, bassist Kevin "Bam Bam" Blair, keyboardist Bob Crawford, percussionists Trevino Leon, and dancer Kim Agnew. Together, they form rhythms based in the West African Ewe tradition (which holds at its heart the inseparable union of drumming and dance) colored with Afro-Cuban structures. Atop the band's rhythmic maelstrom ride tightly figured five-part horn lines directed by founder/tenor player Nathan Endsley. His section enlists the formidable talent of Seattle jazz trombonist "T-Bone" Charlie Wilson and a snarling dual baritone-sax yawp from Jonathan Hoops (featured soloist for Burning Man sensation the Mutaytor) and Michael Bello. Though the 2-year-old band is still something of a pup on the scene, Albino's members' résumés include experience in local heavies from every niche of the city's musical spectrum, including Starvin Like Marvin, Monkey Knife Fight, Spearhead, CK Ladzekpo, and Hamsa Lila. This is world music that lives up to the name. - SF Weekly 2005 Music Awards Issue

 

 

 

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